Meet the student movement coach of play, Everyman
As the opening scene of Everyman opens, we already know we are in for a great show. The well built set and first monologue takes you in immediately. The rest of the production鈥檚 cast capture the audience with not only outstanding acting and energy, but also with their carefully choreographed movements on the stage.
Daelyn Myggland has been a dancer for as long as she can remember, 鈥渞eally since I could walk,鈥� she says. She has taken on being a movement coach for the actors of Everyman as her capstone project, and she is very passionate about what she does.
鈥淓xpressing myself with movement was always super important to me. I started off doing cardio and working with Glenda Sterling, she eventually opened doors for me and I jumped at the chance to work as a movement coach.鈥�
Daelyn said at first it was challenging to make the jump from being a dancer to being a movement coach. 鈥淎s a dancer, I was always working with just dancers, so I had to get comfortable with helping others move in ways they weren鈥檛 used to doing.鈥�
For the actors who work with Daelyn they were excited to see that their Everyman characters come more alive through movement.
All their gestures in this play had to be so much bigger. I would tell the actors, bigger is better 鈥� give as much as you can. I also tell the actors it鈥檚 okay to be silly and experiment by breaking boundaries.
— Daelyn
For many people who are used to working alone, working in a group is where they also find a new rhythm of movement. 鈥淲e are always exploring the way we move with others versus the way we move with ourselves. For example in Everyman, Death would touch you and you would have to melt from wherever you were touched. It involved experimenting 鈥� and in the end these little touches are making it such a unique production.鈥�
For the drama program at CUE, capstone projects could involve anything from writing a screenplay or making a production. Daelyn will be presenting her learnings at the Fine Arts Festival in April along with other students presenting their final projects. When asked what has been the most important learning in the past year, Daelyn says:
I鈥檝e learned that everyone has an amazing potential to be an expressive mover, no matter what they think their limitations might be. Everyone is unique in how they move 鈥� each mind will interpret a character in their own way.
Advice Daelyn would give to actors is 鈥渂e very open minded 鈥� Just be open to the subtleties of movement, gestures can move a story just as much as the dialogue.鈥�
For Daelyn she has been excited to see the end results of the hard work put into rehearsals, and see her team perform in front of an audience. 鈥淚t鈥檚 been awesome to see the cast get to know each other better 鈥� and build trust in one another. I have seen them grow from being nervous to being fully confident.鈥�
She says even behind the scenes people can be nervous before a production, 鈥淚t can be tense to see if everything translates the way you hoped. Tech people might be concerned about missing a lighting or sound cue. We are all preparing to make sure everything goes smoothly.鈥�
Speaking about why she chose CUE, Daelyn said, 鈥淚 was accepted at other universities and chose Concordia because of the smaller class sizes 鈥� because of that, I have built very strong connections with my professors, which I don鈥檛 think I would have had at a larger school.鈥�
Those close relationships are also why she refers to the drama program faculty as mentors.
鈥淏oth Glenda and Caroline have been amazing mentors. They never tell us what to do, but they give us the right amount of guidance and let us find our own way,鈥� Daelyn says.
If you鈥檙e looking to see just what the CUE drama program is capable of, come to their next production of Everyman. After a successful first weekend of shows, their next performance time is March 17 & 18 at 7:30 p.m. or join us for a matin茅e on March 19 at 2 p.m. Get your tickets at .